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THE SCENOGRAPHER BOOKS Collection OPEN STAGE

Directors and set designers and lighting artists protagonists of this new collection.

An open arena created to accommodate the plurality of experiences that qualifies every theatre production. Directors and set designers and lighting artists will be the protagonists of this new collection, an essential addition to your library. Prestigious monographs, beautifully illustrated and enriched with texts by eminent playwrights, writers, critics, designers and collaborators. 

AMERICAN NEW WAVE

A multicultural galaxy made up of a multitude of visions.

A “journey across the Atlantic” to discover some of the most representative directors and set designers of the last thirty years of Broadway theatre. A multicultural galaxy made up of a multitude of visions from which creativity and innovation spring.

ABOUT

Alexander Dodge is an award winning international set and costume designer for musicals, plays, opera and dance. He has designed productions in New York, Chicago, Los Angeles, London and Berlin. Alexander is recently represented on Broadway with the smash hit musical, Anastasia directed by Darko Tresnjak.
And other Broadway credits include: Present Laughter (Tony Award Nomination) directed by Nicholas Martin, Old Acquaintance, Butley, and Hedda Gabler. He opens the Metropolitan Opera season and makes his debut with Samson et Dalila this fall directed by Darko Tresnjak.
He opens the Metropolitan Opera season and makes his debut with Samson et Dalila this fall directed by Darko Tresnjak.

VIDEO PRESENTATION READ THE ARTICLE WORKING WITH NICHOLAS MARTIN by Frank Rizzo

START THE COLLECTION THE SCENOGRAPHER BOOKS / OPEN STAGE NEW AMERICAN WAVE / THEATRICAL NOTEBOOKS.
A LARGE COLLECTION OF THEATER DEDICATED TO THOSE WHO LIVE THEATER.

CAMERON ANDERSON Scenic & Projection Designer

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THE SCENOGRAPHER PRESENTS A network of research, training and development in the field of scenography and new media.

This new section was born as a permanent laboratory, created with the intention of enhancing a path that will allow us to communicate to our readers, the development of professional experiences presented by some major protagonists of the international scene and with them: university professors, set designers, visual designers, media performers, lighting invited to discuss with the intention of reasoning and developing project plans through an exchange of experiences.
Each month we will present documents, video presentations, documentaries, which we wish to target teachers and students from the Academy of Fine Arts and Universities, in order to establish a network of research, training and development in the field of scenography and new media.

Faust’s Myth in the interpretations of Hugo de Ana It is quite impossible to conceive the artistic journey of Maestro Hugo de Ana without dwelling on the triptych dedicated to the Faust myth. In fact, it is not only part of his activity in recent years but also, and above all, a path of life and thought that stems from the reading of Goethe's text, lives through the music of Gounod, Berlioz and Schumann, and takes shape in three opera performances. The Maestro’s powerful sensitivity, deeply affected by the Faustian Myth and strongly attached to Goethe’s poem, brings to light profound meanings often neglected by the three composers who felt constrained to select one of the several possible themes presented in the poem. Hugo de Hana’s direction can be considered “baroque” due to the excessive visual elements, “symbolical” for the constant reference to symbolic elements, “visionary” where fantastic representations prevail. Read The Article ABOUT TEACHING OF SET DESIGN The Theatre of Hugo De Ana. WORKS Part 1 Part 2 Part 3 Part 4

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