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Theatre Director

PAOLO BOSISIO

A THEATRE
OF ART FOR
EVERYONE

ART
CRAFT
CULTURE
POETRY

The theater is
a grub turning
into a chrysalis
and finally
into a butterfly

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Theatre Director and Choreographer

GIORGIO MADIA

Photo by Yan Revazov

"The vital force of dance, the sacredness of gesture, the integration of dance within a total vision of theatre, the musicality and inseparability between choreographic conception and exponent: to me, these are some of the most affective concepts." (Giorgio Madia)

GIORGIO MADIA Director and Choregrapher

Photo by Juri Seredenko

"For me there is no separation between directing and choreography. I come from dance and I can't help but think of a dynamic staging from its conception. Also because where words are not enough, the movement begins." (Giorgio Madia)

CARMEN

A MIDSUMMER NIGHT’S DREAM

A MIDSUMMER NIGHT’S DREAM: a blue baroque garden recreated with arches constantly maneuvered by the dancers who, to the rhythm of the music, create galleries, pavilions, mazes and forests. "A dancing set" that tends to astound through the dynamics as described in Eukasz Gazur’s critique for Gazeta Krakowska and Dziennik Polski.

Photo by Magdalena Woch

DON JUAN

The idea of moving scenery is as old as European theatre itself. In ancient Greek theatre, text, music, rhythm and dance were staged using mechanical devices, the "skene", to position and move physical elements on stage.

Photo by Yan Revazov

Photo by Juri Seredenko

WIENER BLUT whose winning secret are a frenzy of colors and fragrant flowers, a sky of gisteria, delicate rotating scene movements that frame intimate moments, slapstick scenes with a frantic rhythm, duets with gesture.

WIENER BLUT

THE MERRY WIDOW

THE MERRY WIDOW by Lehar, designed staged and choreographed by Giorgio Madia who here too puts in motion soloists, choir and a large dance corps in large dance ensembles. The scenic elements have been created in such a way as to make this type of direction possible: light, refined and witty.

Photo by Yulia Kudryashova