AVAILABLE IN PRINT AND DIGITAL EDITION
AVAILABLE IN PRINT AND DIGITAL EDITION
AVAILABLE IN PRINT AND DIGITAL EDITION
HENNING BROCKHAUS /JOSEF SVOBODA
While having to choose an image in order to describe the work of Henning Brockhaus by using a synthetic and symbolic approach, my thoughts fly immediately to that huge expanse of mirrored panels that by degrees slope upwards from the stage to become the incredible backdrop of La Traviata, in one of the most important editions ever staged live, in a joint design project with Josef Svoboda, for the 1992 summer season at the Sferisterio di Macerata in Italy.
BUY NOW
€ 12 Print / € 6 Digital
CRISTIAN TARABORRELLI
AUGMENTED REALITY BREAKS INTO OPERA
Today, new technologies allow us to enter “the centre of the painting”, as the technical manifesto of Futurist painting put it, leaving the spectator himself the task of completing the work. A clear demonstration of this is the Pagliacci staged at the Carlo Felice in Genoa by Cristian Taraborelli, who has elected to work with Augmented Reality. This is the first time this has happened in Italy, and perhaps even abroad, with the exception of similar productions at the Comische Oper in Berlin.
€ 12 Print / € 6 Digital
BUY NOW
VALERO TIBERI
LIGHT AS NARRATIVE CORE
Today, new technologies allow us to enter “the centre of the painting”, as the technical manifesto of Futurist painting put it, leaving the spectator himself the task of completing the work. A clear demonstration of this is the Pagliacci staged at the Carlo Felice in Genoa by Cristian Taraborelli, who has elected to work with Augmented Reality. This is the first time this has happened in Italy, and perhaps even abroad, with the exception of similar productions at the Comische Oper in Berlin.
€ 6 Digital / PRINT IN PROCESS
BUY NOW
