READ THE INTERVIEW
Meeting Wilson Chin was like starting out on a train journey: through the window complex scenarios materialized, layered on different planes, ordered landscapes,
natural colours that are never artificial, flower-studded hills, frames within which even objects create an action and interact with the characters themselves.
Chin’s sets shape harmony, define movement, imply a design method like a geometric construction, exquisitely architectural.
The scene thus becomes increasingly all-encompassing, tending to embrace the audience.