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Boris Yukhananov is a theater and film director, theoretician and teacher, who, in just one season, turned the tired, former Stanislavsky Drama Theatre into the Stanislavsky Electrotheatre, one of contemporary Moscow’s most exciting venues.
Theatre is living art, which cannot be replaced with any other art, the personal contact between the performance and the spectator is something alive. The other forms of communication have their own artistic dignity, but they are not and will never be a phenomenon analogous to the live show. The live show will never die, it will change a thousand times, but it is not destined to die.
Ivan Stefanutti, director, scenographer, costume designer, is an all-round man of theatre, his repertoire is characteristically grounded in in-depth analysis and research, whether it be for a musical or opera or operetta.
The vital force of dance, the sacredness of gesture, the integration of dance within a total vision of theatre, the musicality and inseparability between choreographic conception and exponent: to me, these are some of the most affective concepts.
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A FILM DIRECTED BY JAKUB HEJNA
SET AND COSTUME DESIGNER
Pepe Corzo likes to invent universes, to escape from reality in order to create new worlds in which characters naturally pass through, with stories that could certainly be more soberly narrated, in a manner rather more buttoned-down. Yet Corzo is neither moderate nor conservative, but quite the opposite and even something more. He is restless in the creative process, a constant innovator, a bold inventor of parallel universes.
Margherita Palli excels among the Italian names of prominence in the field of scenography for theatre and opera performance, having happily crossed boundaries between genres and disciplines by also designing for exhibitions, events, fashion shows, and other projects.