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Foto sullo sfondo
Festival of Scenic Arts (IFSart) organizzato da SCSA a Roma nel 2010.
Pubblichiamo libri e documenti sotto forma digitale e cartacea, utilizzando la distribuzione ordinaria e la comunicazione multimediale. Portiamo alla luce tutto ciò che riguarda le arti sceniche con particolare attenzione alla formazione professionale dei giovani studenti e laureati. Organizziamo annualmente, in collaborazione con le istituzioni teatrali e professionisti, eventi speciali, festival, mostre itineranti, conferenze, convegni e stage.
Spiccano in particolare tre eventi internazionali, organizzati a Roma (Alla Casa dell'Architettura)e a Londra (al Victoria & Albert Museum) tra il 2008 e il 2010, ai quali hanno partecipato professionisti del teatro e accademici provenienti da tutta Europa.
Nello stesso periodo sono iniziate le prestigiose monografie, che hanno celebrato registi, scenografi e costumisti a livello internazionale.
La decisione di pubblicare un periodico che celebrasse l'arte degli scenografi è stata presa dopo un'intervista esclusiva a Londra con lo scenogarfo premio Oscar Ken Adam, a cui è stato poi dedicato il numero pilota (numero 0).
Quello stesso anno iniziò una collaborazione con l'Art Directors Guild e la Set Decorators Society di Los Angeles, collaborazione che durò tre anni, durante i quali il team di
THE SCENOGRAPHER sviluppò contatti con un gran
numero di production designer americani.
La rivista è stata uno degli sponsor per tre anni consecutivi del prestigioso Art Directors Guild Awards, premiazione che è seconda solo agli Academy Awards. Innumerevoli contributi di designer di produzione cinematografica degli Stati Uniti hanno arricchito il suo contenuto, tra cui: Alex McDowell, Guy Hendrix Dyas, Michael Corenblith, Scott Chambliss, Bo Welch, Stuart Craig, Tom Walsh, Jeannine Oppewall, Grant Major, Patrick Tatopoulos...
Il comitato tecnico scientifico
Beowulf Boritt is currently represented on Broadway by Sankoff & Hein’s Come From Away directed by Chris Ashley. He designed the Tony Award® winning set for James Lapine’s Act One. He has also received Tony Award® nominations for his designs for Evan Cabnet’s production of Therese Raquin and Susan Stroman’s production of Kander and Ebb’s The Scottsboro Boys. He designed David Thompson’s Prince of Broadway and Alfred Uhry’s LoveMusik on Broadway for Harold Prince.
Paolo Bosisio is an Italian director, screenwriter and academic. He has published 23 books and a hundred or so essays in the scientific field of theatre, with particular reference to the 18th and 20th centuries, and has taught, in addition to Milan, at the University of the Sorbonne, Paris III, and at others for shorter periods in many countries of the world. He has served as artistic director in some traditional theatres in Italy, including the Teatro del Vittoriale in
Gardone Riviera and the Teatro Giacosa in Ivrea, and at several international Opera and Dance festivals.
Beowulf Boritt is currently represented on Broadway by Sankoff & Hein’s Come From Away directed by Chris Ashley. He designed the Tony Award® winning set for James Lapine’s Act One. He has also received Tony Award® nominations for his designs for Evan Cabnet’s production of Therese Raquin and Susan Stroman’s production of Kander and Ebb’s The Scottsboro Boys. He designed David Thompson’s Prince of Broadway and Alfred Uhry’s LoveMusik on Broadway for Harold Prince.
Paolo Bosisio is an Italian director, screenwriter and academic. He has published 23 books and a hundred or so essays in the scientific field of theatre, with particular reference to the 18th and 20th centuries, and has taught, in addition to Milan, at the University of the Sorbonne, Paris III, and at others for shorter periods in many countries of the world. He has served as artistic director in some traditional theatres in Italy, including the Teatro del Vittoriale in
Gardone Riviera and the Teatro Giacosa in Ivrea, and at several international Opera and Dance festivals.
Paolo Bosisio is an Italian director, screenwriter and academic. He has published 23 books and a hundred or so essays in the scientific field of theatre, with particular reference to the 18th and 20th centuries, and has taught, in addition to Milan, at the University of the Sorbonne, Paris III, and at others for shorter periods in many countries of the world. He has served as artistic director in some traditional theatres in Italy, including the Teatro del Vittoriale in
Gardone Riviera and the Teatro Giacosa in Ivrea, and at several international Opera and Dance festivals.
Paolo Bosisio is an Italian director, screenwriter and academic. He has published 23 books and a hundred or so essays in the scientific field of theatre, with particular reference to the 18th and 20th centuries, and has taught, in addition to Milan, at the University of the Sorbonne, Paris III, and at others for shorter periods in many countries of the world. He has served as artistic director in some traditional theatres in Italy, including the Teatro del Vittoriale in
Gardone Riviera and the Teatro Giacosa in Ivrea, and at several international Opera and Dance festivals.
Gabriella Pescucci costume designer has worked with directors Pier Paolo Pasolini, Federico Fellini, Sergio Leone, Terry Gilliam, Martin Scorsese, Tim Burton and Neil Jordan.[2] In 1994, she won the Oscar for Best Costume Design for the 1993 film The Age of Innocence. In addition to her film and television work she has designed for the Opera, notably La Traviata at La Scala, Un ballo in maschera at the Kennedy Centre in Washington, D.C., and La bohème in Florence.
Gabriella Pescucci costume designer has worked with directors Pier Paolo Pasolini, Federico Fellini, Sergio Leone, Terry Gilliam, Martin Scorsese, Tim Burton and Neil Jordan.[2] In 1994, she won the Oscar for Best Costume Design for the 1993 film The Age of Innocence. In addition to her film and television work she has designed for the Opera, notably La Traviata at La Scala, Un ballo in maschera at the Kennedy Centre in Washington, D.C., and La bohème in Florence.
Gabriella Pescucci costume designer has worked with directors Pier Paolo Pasolini, Federico Fellini, Sergio Leone, Terry Gilliam, Martin Scorsese, Tim Burton and Neil Jordan. In 1994, she won the Oscar for Best Costume Design for the 1993 film The Age of Innocence. In addition to her film and television work she has designed for the Opera, notably La Traviata at La Scala, Un ballo in maschera at the Kennedy Centre in Washington, D.C., and La bohème in Florence. Per la rivista The Scenographer cura il settore del costume. For The Scenographer Magazine she heads the costume design sector.
Henning Brockhaus renowned director, whose prductions have left an indelible mark in the history of modern theatre, such as the legendary "Traviata degli Specchi" (La Traviata of the Mirrrors) with sets designeed by Josef Svoboda. He is one of the most significant contemporary theatre and Opera direcotrs of major theatres around the globe. He is also the artistic director of the prestigious theatrical magazine The Scenographer.
Henning Brockhaus renowned director, whose prductions have left an indelible mark in the history of modern theatre, such as the legendary "Traviata degli Specchi" (La Traviata of the Mirrrors) with sets designeed by Josef Svoboda. He is one of the most significant contemporary theatre and Opera direcotrs of major theatres around the globe. He is also the artistic director of the prestigious theatrical magazine The Scenographer.
Henning Brockhaus renowned director, whose productions have left an indelible mark in the history of modern theatre, such as the legendary "Traviata degli Specchi" (La Traviata of the Mirrrors) with sets designed by Josef Svoboda. He is one of the most significant contemporary theatre and Opera directors of major theatres around the globe.
He is also the artistic director of the prestigious theatrical magazine The Scenographer.
After his debut as stage director at the Studio Theatre of the Comédie-Française in 1999, Vincent Boussard decided to devote himself to opera. First a specialist for early opera, he became known for his versions of romantic operas, sometimes in international collaboration. His staging of Massenet's Manon was presented at the Vilnius National Opera, the San Francisco Opera and the Korea National Opera. His production of Bellini's I puritani was shown at the Opéra Royal de Wallonie and the Oper Frankfurt.
Our team
essayist and academic
Technical consultant / Designer.
Consulting on UE funding