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The Roots of Drama Aesthetics in the Work of Henning Brockhaus
While having to choose an image in order to describe the work of Henning Brockhaus by using a synthetic and symbolic approach, my thoughts fly immediately to that huge expanse of mirrored panels that by degrees slope upwards from the stage to become the incredible backdrop of La Traviata, in one of the most important editions ever staged live, in a joint design project with Josef Svoboda, for the 1992 summer season at the Sferisterio di Macerata in Italy. (Article by Carla Moreni)
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