“Scenography is a delicate and complex art. A good scenographer is an artist who possesses a strong personality. His creative expression, however, does not belong to him, as it does to a painter, but he puts it at the service of an author, or of a libretto, a piece of music, the insights of a stage manager …while still retaining his imprint, his look. This requires a generous spirit. Good stage designers are those that approach theatre with a humanist outlook, for whom the voice of a singer or an actor is more important than their own design aesthetic; they are the ones who follow through the venture of putting a show on the road, they accompany it with a creative eye and the hands of an artisan, they attempt to create a place in which is ignited that spark of beauty that opens the heart of the spectator and immerses him in an undreamed of world… Daniel Bianco belongs to this category of artist. By way of intuition or by know-how. And also, and not least, because he loved – and continues to do so – with undoubted passion the theatre, with or without music, before even knowing that he would become a scenographer.” (by Raúl Asenjo).