Inventor of scenic universes
Pepe Corzo likes to invent universes, to escape from reality in order to create new worlds in which characters naturally pass through, with stories that could certainly be more soberly narrated, in a manner rather more buttoned-down. Yet Corzo is neither moderate nor conservative, but quite the opposite and even something more. He is restless in the creative process, a constant innovator, a bold inventor of parallel universes.
The path Boris Yukhananov has traversed throughout his forty years in art has been anything but the usual tale of a common career. Today he is the artistic director of the Stanislavsky Electrotheatre, a venue whose origins reach back to Konstantin Stanislavsky’s legendary Opera and Drama Studio, and which, for 70 years, has been one of the most prominent dramatic playhouses in Moscow. That position may represent the biggest jewel in his crown to date, but it says precious little about this artist who has never taken a well-worn path. Nothing Yukhananov did in his first three decades as a theatre artist would have indicated he would be chosen one day to run one of Russia’s most storied playhouses.
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